Search results “Music galant style”
The Sol-Fa-Mi
Some examples of the Sol-Fa-Mi, a schema named and discussed by Robert Gjerdingen in his book "Music in the Galant Style." Composers represented here: Seixas, Mozart, Vanhal, Platti, Paisiello, Pescetti, Gluck, Porpora, C. P. E. Bach, Haydn, Martines, Corelli. See Gjerdingen, chapter 18, and the Open Music Theory website: http://openmusictheory.com/schemataSummary.html
Views: 631 Settecentista
The Galant Style - Concert #1
Anton Isselhardt (flute) My Huong Nguyen (violin) Matthias Diehner (violoncello) Jumat, 10 Agustus 2012 di Museum Tembi Rumah Budaya Yogyakarta
ADCA Gala Opening Concert "Galant Style"
Summary of our Gala Opening concert "Galant Style" featuring guest conductor Darwin Aquino and soloists Amber Archibald and Jorge Garcia-DLeon accompanied by La Camerata Washington Heights. From our Concert Series VIII on October 19, 2017 at Aaron Davis Hall, Marian Anderson Theater. Video and Edit by Erwin Pérez www.adca.nyc
J. C. Bach - Duet for Two Pianos in G Major - Mov. 1/2
JOHANN CHRISTIAN BACH (1735-1782) Duet for two pianofortes in G major Op. 15 1. Allegro Performed by Christopher Hogwood Christophe Rousset, pianofortes *Johann Christian Bach was a composer of the Classical era, the eleventh and youngest son of Johann Sebastian Bach. He is sometimes referred to as 'the London Bach' or 'the English Bach', due to his time spent living there. He is noted for influencing the concerto style of Mozart. Johann Christian Bach was born on September 5, 1735 to Johann Sebastian and Anna Magdalena Bach in Leipzig, Germany. His distinguished father was already 50 at the time of his birth, which would perhaps contribute to the sharp differences between his music and that of his father. Even so, his father first instructed him in music until he died. After his father's death, when Johann Christian was 15, he worked with his second oldest brother Carl Philipp Emanuel Bach, considered at the time to be the most musically gifted of Bach's sons. He enjoyed a promising career, first as a composer then as a performer playing alongside Carl Friedrich Abel, a notable player of the viola da gamba. He composed cantatas, chamber music, keyboard and orchestral works, operas and symphonies. Bach lived in Italy for many years starting in 1756, first studying with Padre Martini in Bologna and later with Giovanni Battista Sammartini. He became an organist at a cathedral in Milan in 1760. During his time in Italy he converted from Lutheranism to Catholicism. In 1762, Bach travelled to London to première three operas at King's Theatre, including Orione on 19 February 1763. This established his reputation in England, and he became music master to Queen Charlotte. He met soprano Cecilia Grassi in 1766 and married her shortly thereafter. Although she was eleven years younger than Bach, they had no children. Johann Christian Bach died in London on New Year's Day, 1782. Although Bach's fame declined in the decades following his death, his music still showed up on concert programmes in London with some regularity, often coupled with works by Haydn. In the 19th century, scholarly work on the life and music of Johann Christian's father began, but this often led to the exaltation of J. S. Bach's music at the expense of that of his sons; Phillip Spitta claimed towards the end of his J. S. Bach biography that "it is especially in Bach's sons that we may mark the decay of that power which had culminated [in Sebastian] after several centuries of growth" (Spitta, Vol. 3, p. 278), and J.S.'s first biographer, Johann Nikolaus Forkel, said specifically of Christian that "The original spirit of Bach is . . . not to be found in any of his works" (New Bach Reader, p. 458). It was not until the 20th century that scholars and the musical world began to realize that Bach's sons could legitimately compose in a different style than their father without their musical idioms being inferior or debased, and composers like Johann Christian began to receive renewed appreciation. Johann Christian Bach is of some historical interest as the first composer who preferred the piano to older keyboard instruments such as the harpsichord. Johann Christians early music shows the influence of his older brother Carl Philipp Emanuel, while his middle period in Italy shows the influence of Sammartini. Johann Christian Bach's father died when Johann Christian was only fifteen, perhaps one reason why it is difficult to find points of similarity between the music of Johann Sebastian Bach and that of Johann Christian. By contrast, the piano sonatas of Carl Philipp Emanuel Bach, Johann Christian's much older brother, tend to invoke certain elements of the father at times, especially as regards the use of counterpoint. (C.P.E. was 36 by the time J.S. died.) Johann Christian's music departs completely from the styles of the elder Bachs in being highly melodic. He composed in the galant style incorporating balanced phrases, emphasis on melody and accompaniment, without too much contrapuntal complexity. The galant movement opposed the intricate lines of Baroque music, and instead placed importance on fluid melodies in periodic phrases. It preceded the classical style, which fused the galant aesthetics with a renewed interest in counterpoint.
Views: 69216 HARMONICO101
NEW GANGNAM STYLE PARODY IN HEBREW !!! מילים: יוליה גלנט, בוריס גלנט, סופיה גלנט לחן: gangnam piano instrumental ביצוע, בימוי, עריכה, הפקה: בוריס גלנט, יוליה גלנט משתתפים: בוריס גלנט, יוליה גלנט (הקטנה), אולגה גלנט, יורי גלנט, סופיה גלנט, יוליה גלנט (הגדולה), שיראל גלנט, אלמוג דיין, ודים רדובילסקי, אריק רדובליסקי, דימה, סוניה טולוצ'ינסקי, אנה גמבורג, ליאת אברהם. תודות לכל המשתתפים והניצבים, לכל מי שעזר ותרם לעשיית הקליפ. תודה לכל המשפחה שתמכה ותודה מיוחדת לודים ואריק רדובילסקי שפינו לנו מקום לצילומים ב"גינזה סושי בר" - יקנעם ופינקו אותנו בסושי המעולה שלהם בזמן הצילומים! תודה מיוחדת נוספת לאיגור בולקין על התמיכה הטכנית ובעזרה בעריכת הוידאו. כל העזרה נעשתה ללא כל רווח, בהתנדבות ורצון ובהנאה גדולה :) :) :) תודה לפרות החמודות, אין כמוכן! תודה לכולם!
Views: 3504 Boris Galant
Galant Schemata in Binary Form: Platti's Keyboard Sonata in C minor
The first movement of Giovanni Benedetto Platti's Keyboard Sonata No. 8 in C minor (published in 1746) stands out for two aspects of its use of galant schemata. Most remarkable is Platti's dependence on a single schema, the Fenaroli-Ponte. Also of note is the huge Fonte that Platti uses to modulate from the tonic C minor to the relative major, E flat major (a Fonte that, when it returns in the second part of this binary form movement, is dramatically thwarted). As Vasili Byros has shown in his article "Trazom's Wit: Communicative Strategies in a 'Popular' yet 'Difficult' Sonata" (Eighteenth-Century Music 10 (2013), 213–52), the Fenaroli-Ponte is a schema that combines features of the Ponte (a dominant pedal) and the Fenaroli (a melodic line tracing the scale degrees 7–1–2–3). Platti used the Fenaroli-Ponte no fewer than nine times, in passages that account for almost one-third of the movement. In this performance, Elaine Funaro plays a fortepiano that David Sutherland modeled on one of the three surviving pianos by the instrument's inventor, Bartolomeo Cristofori, this one dated 1726.
Views: 1024 Settecentista
Mitsubishi Galant | Legnum - Music Video
Mitsubishi Galant - Moscow "SVAO" (Russia) Как повстречались несколько любителей акул на ТЦ "Весна" в Алтуфьево =) #Galant #Legnum #6a13tt #MMC #Mitsubishi #VR4
Views: 143 MotoTour77
The Prinner
The galant voice-leading schema that Robert Gjerdingen calls the Prinner is characterized by a treble line that descends from scale degree 6 to 3 over a bass that descends from 4 to 1. Gjerdingen sometimes refers to it as the Prinner riposte, because it almost always serves as the response to or continuation of the music that precedes it. Rather than thinking of the Prinner as a single schema, it might be more useful to think of it as a family of closely related schemata, including the Stabat Mater Prinner, the Circle-of-Fifths Prinner, the Modulating Prinner, and the Prinner Cadence. All these are represented in this collection of examples, which include music by Mozart, Haydn, Beethoven, Seixas, Graun, Pergolesi, Reutter, Couperin, Martines, J. C. Bach, Pescetti, Gallina, and Platti. For more on the Prinner see (in addition to Gjerdingen's "Music in the Galant Style") William E. Caplin, "Harmony and Cadence in Gjerdingen's 'Prinner,'" in "What is a Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire," ed. Markus Neuwirth and Pieter Bergé, Leuven, 2015, pp. 17–58, and Open Music Theory: http://openmusictheory.com/schemataOpensAndCloses The Prinner was among the many galant schemata imported to the New World and used by composers in Mexico, Brazil, and elsewhere. See Olga Sánchez-Kisielewska, "Claves para el Análisis del Italianismo en la Música Hispana: Esquemas Galantes y Figuras Retóricas en las Misas de Jerusalem y Nebra," Diagonal: An Ibero-American Music Review 1 (2016), Permalink https://escholarship.org/uc/item/5f60p1dm For an early nineteenth-century Brazilian example, see Guilherme Aleixo da Silva Monteiro, "Análise das schematae galantes nos seis responsórios fúnebres de João de Deus de Castro Lobo (1794–1832)," Universidade do Estado do Amazonas, 2017, online at http://repositorioinstitucional.uea.edu.br/bitstream/riuea/851/1/An%C3%A1lise%20das%20schematae%20galantes%20nos%20seis%20respons%C3%B3rios%20f%C3%BAnebres%20de%20jo%C3%A3o%20de%20deus%20de%20castro%20lobo%201794-1832.pdf
Views: 1311 Settecentista
Prinner Examples - Galant Schemata
*TURN ON SUBTITLES FOR SONG LISTINGS** This video presents examples of Prinners as codified by Robert Gjerdingen from Northwestern University. There are two types that I personally call "Prinner Antico" and "Prinner Moderno" (Gjerdingen might call them this as well). The circle-of-fifths/leaping bass is the Prinner Antico, and the smooth stepwise descent would be a Prinner Moderno. All Copyrights belong to their respective owners. This is meant for educational purposes only.
Views: 509 Opiter
J.G. Orschler: Triosonata in F minor
Johann Georg ORSCHLER 1698 – 1767/70 Trio per due violini e basso continuo in F minor: 1. Intrada 2. Siciliana 3:18 3. Menuet Trio 6:20 4. Fuga 8:04 Collegium Marianum Jana Semerádová [direction]
Views: 2367 Dramma per musica
Impro on "The Meyer"
Free improvisation inspired by the Galant schema "The Meyer" from the book "Music in the Galant Style" (2007) by Robert O. Gjerdingen. Performance during an open air charity event in Geneva, October 2010 on an electric piano.
Views: 190 Tobias Cramm
Abonne-toi pour plus de contenus Galant Records : http://bit.ly/GalantRecordsYT RROBIN – Déluge - Pétillance Feat. Le Jouage Release date: October , 31th, 2018 Extracted from the album "Déluge" Release date : November, the 16th 2018 Pre-order the Album : https://fanlink.to/RROBIN Stream / Buy the track : https://rrobinxlejouage.fanlink.to/PETILLANCE Music : Composed by RROBIN , written by LE JOUAGE. Recorded and mixed by Céline Frezza at JFX Studio / Lyon. Mastering by Alex Psaroudakis Studio. Video : Directed by Le réal / NDM Prod. Label : Galant Records Promotion : Mathieu Girod [email protected] Distribution : Believe Digital Booking : Spread Da Word (http://sprwd.agency/) Links : https://galant-records.com/ https://www.facebook.com/Glntrds/ https://www.instagram.com/galantrecords https://www.facebook.com/rrobinmusic/ https://www.instagram.com/rrobinrrobin/ https://www.facebook.com/LeJouage/ https://www.instagram.com/l_instant_jouage/ https://www.facebook.com/Ndm-prod-1979156298780308/
Views: 6467 Galant Records
Transcendent Journey by Rossano Galante
To purchase or for more info go to https://goo.gl/64qp5R G. Schirmer Concert Band - Grade 5 Written in a grand “film score” style, this magnificent work opens with a dynamic fanfare featuring soaring brass and woodwind flourishes. Descriptive and evocative with every phrase, including a beautiful slow lyric section, transport your audience on a thrilling musical adventure with this impressive overture! HL50490009 HL50490010
Mozart: Complete Piano Sonatas
Download & Streams (Spotify, iTunes, Amazon Music, Deezer, Google Play and more): https://brilliant-classics.lnk.to/MozartCompleteSonatas More information: https://www.brilliantclassics.com/articles/m/mozart-complete-sonatas/ Facebook: https://facebook.com/Brilliantclassics Mozart’s piano sonatas date from 1773 until 1788 – a period in which his style matured at a truly remarkable rate. The earliest sonatas are very much in the galant style of W.F and CPE Bach, and in places Scarlatti’s influence can be detected. However, the late sonatas, such as K457 are full of surprises, and here the influence of Haydn is to the fore – even predicting Beethoven in passages. The years from 1773 to the late 80s saw the rapid development of the piano from a novelty and experimental instrument, to the stage where it’s power and range provided composers with a hitherto undreamed palate of colours and expression. Mozart exploited the new instruments to maximum effect in his concertos and his sonatas. Composer: Wolfgang Amadeus Mozart Artist: Klara Würtz (piano) 00:00:00 Piano Sonata No.1 in C, K279: I. Allegro 00:04:56 Piano Sonata No.1 in C, K279: II. Andante 00:10:09 Piano Sonata No.1 in C, K279: III. Allegro 00:13:31 Piano Sonata No.2 in F, K280: I. Allegro assai 00:18:02 Piano Sonata No.2 in F, K280: II. Adagio 00:24:04 Piano Sonata No.2 in F, K280: III. Presto 00:26:59 Piano Sonata No.3 in B flat, K281: I. Allegro 00:33:47 Piano Sonata No.3 in B flat, K281: II. Andante amoroso 00:39:19 Piano Sonata No.3 in B flat, K281: III. Rondeau: Allegro 00:43:56 Piano Sonata No.4 in E flat, K282: I. Adagio 00:50:57 Piano Sonata No.4 in E flat, K282: II. Menuetto 00:55:02 Piano Sonata No.4 in E flat, K282: III. Allegro 00:58:06 Piano Sonata No.5 in G, K283: I. Allegro 01:03:32 Piano Sonata No.5 in G, K283: II. Andante 01:09:14 Piano Sonata No.5 in G, K283: III. Presto 01:13:02 Piano Sonata No.6 in D, K284: I. Allegro 01:18:32 Piano Sonata No.6 in D, K284: II. Rondeau en polonaise: Andante 01:22:38 Piano Sonata No.6 in D, K284: III. Andante (Tema con variazioni) 01:38:15 Piano Sonata No.7 in C, K309: I. Allegro con spirito 01:44:13 Piano Sonata No.7 in C, K309: II. Andante un poco adagio 01:49:21 Piano Sonata No.7 in C, K309: III. Rondeau: Allegretto grazioso 01:55:23 Piano Sonata No.8 in A Minor, K310: I. Allegro maestoso 02:01:24 Piano Sonata No.8 in A Minor, K310: II. Andante cantabile con espressione 02:08:31 Piano Sonata No.8 in A Minor, K310: III. Presto 02:11:14 Piano Sonata No.9 In D, K311: I. Allegro con spirito 02:15:41 Piano Sonata No.9 In D, K311: II. Andante con espressione 02:20:33 Piano Sonata No.9 In D, K311: III. Rondeau: Allegro 02:26:39 Piano Sonata No.10 In C, KV330: I. Allegro moderato 02:33:20 Piano Sonata No.10 In C, KV330: II. Andante cantabile 02:39:53 Piano Sonata No.10 In C, KV330: III. Allegretto 02:45:36 Piano Sonata No.11 In A, K331: I. Andante grazioso 02:58:30 Piano Sonata No.11 In A, K331: II. Menuetto 03:04:25 Piano Sonata No.11 In A, K331: III. Alla Turca: Allegretto 03:07:50 Piano Sonata No.12 in F, K332: I. Allegro 03:14:24 Piano Sonata No.12 in F, K332: II. Adagio 03:19:07 Piano Sonata No.12 in F, K332:III. Allegro assai 03:25:58 Piano Sonata No.13 in B flat, K333: I. Allegro 03:33:20 Piano Sonata No.13 in B flat, K333: II. Andante cantabile 03:38:53 Piano Sonata No.13 in B flat, K333: III. Allegretto grazioso 03:45:30 Piano Sonata No.14 in C Minor, K457: I. Allegro molto 03:50:59 Piano Sonata No.14 in C Minor, K457: II. Adagio 03:58:42 Piano Sonata No.14 in C Minor, K457: III. Allegro assai 04:03:02 Piano Sonata No.15 in F, K533: Allegro 04:10:39 Piano Sonata No.15 in F, K533: Andante 04:17:14 Piano Sonata No.15 in F, K533: Rondeau: Allegretto 04:23:42 Piano Sonata No.16 in C, K545: I. Allegro 04:27:02 Piano Sonata No.16 in C, K545: II. Andante 04:31:12 Piano Sonata No.16 in C, K545: III. Rondo 04:32:58 Piano Sonata No.17 in B flat, K570: I. Allegro 04:38:32 Piano Sonata No.17 in B flat, K570: II. Adagio 04:46:07 Piano Sonata No.17 in B flat, K570: III. Allegretto 04:49:38 Piano Sonata No.18 in D, K576: I. Allegro 04:54:50 Piano Sonata No.18 in D, K576: II. Adagio 05:00:23 Piano Sonata No.18 in D, K576: III. Allegretto
Views: 411637 Brilliant Classics
Vo' solcando un mar crudele
Continuing with "thebarroque's favorite arias & performers II" sixty-sixth video, featuring this time: Lucia Cirillo George Frideric Handel: Catone in Utica* *Pasticcio, aria composed by Leonardo Vinci for his opera "Artaserse"
Views: 21386 thebarroque
Rococo Style 1700-1760
This video shows the different Artists, Sculptures, and Architects that were in this regional style. Jean Philippe Rameau, a french composer of the era, composes the background music.
Views: 77651 Stephnagle
Johann Sebastian Bach - The Musical Offering {Musikalisches Opfer}
- Composer: Johann Sebastian Bach (31 March 1685 -- 28 July 1750) - Performers: Robert Kohnen (harpsichord), Barthold Kuijken (flute), Sigiswald Kuijken (violin), Wieland Kuijken (viola da gamba) - Year of recording: 1994 The Musical Offering {Musikalisches Opfer}, for keyboard and chamber instruments, BWV 1079, written in 1747. 00:00 - 01. Ricercare à 3 06:38 - 02. Canon perpetuus super thema regimum 07:45 - 03. Canons diversi. Canon à 2 "Canon Cancrizans" (Crab Canon) 09:01 - 04. Canons diversi. Canon à 2 "Violini in unisono" 09:51 - 05. Canons diversi. Canon à 2 "Canon per motum contrarium" 10:53 - 06. Canons diversi. Canon à 2 "Canon per augmentationem, contrario motu" 12:39 - 07. Canons diversi. Canon à 2 "Canon circularis per tonos" 15:46 - 08. Fuga Canonica in Epidiapente 18:19 - 09. Ricercare à 6 25:09 - 10. Canon à 2 "Quaerando invenietis" 26:33 - 11. Canon à 4 28:47 - 12. Sonata sopr'il Soggetto Reale: Largo 34:59 - 13. Sonata sopr'il Soggetto Reale: Allegro 40:26 - 14. Sonata sopr'il Soggetto Reale: Andante 43:47 - 15. Sonata sopr'il Soggetto Reale: Allegro 46:38 - 16. Canon Perpetuo [per justi intervali] Bach's The Musical Offering consists of 16 movements and is about 50 minutes in duration, resulting from a challenge to develop a theme played for the composer by Frederick the Great. The meeting took place on 7 May 1747, and Bach's son, Carl Philipp Emmanuel, who often accompanied Frederick in performances of chamber music, arranged for the two men to meet. By then, J.S. Bach, "the old Bach of Leipzig," was considered as a writer of old-fashioned music, but his improvising skills were still legendary. Frederick, the King of Prussia, did not approve of overly complicated music, clearly preferring the fashionable galant style to the complicated fugues of high Baroque music. In an apparent attempt to confound the old master, the monarch offered an awkward chromatic subject for the elderly composer to improvise upon, and was amazed by Bach's handling of this "Royal Theme." Afterward, the improviser insisted that he still had not done the theme justice, and that he would endeavor to do so. Later that year, The Musical Offering appeared in print, dedicated to Frederick the Great, and published at the composer's own expense. It demonstrates the full arsenal of the Baroque composer of fugues and does it with more fluency than any other composer of the time would have been able to provide. Of course, it takes into account the monarch's passion for flute playing and offers a prominent part for the instrument. Unfortunately, this gesture of respect and reverence more or less backfired. The flute part is fiendishly difficult, and there is no allowance for the monarch's clear preference for galant music; it is as Baroque as anything else Bach wrote, except where he takes galant ideas and makes them more Baroque. For example, instead of performing a simple "sigh" gesture in the flute sonata movement, a descending interval that sounds like a sigh, Bach sequences it in different pitches until it is as difficult and Baroque as anything as he had written before. Galant music is meant to be simple, a return to melody over harmony, and is the first step toward the Classical music of Haydn and Mozart. Furthering the conflict between Bach's offering and Frederick's goodwill was the theological inferences imbedded in the music. Much of it is in a holy code that was clearly derivative of church music and Frederick, a man of the enlightenment, had little use for anything liturgical. In the centuries that divide the composer's world-view and the current millennium, the many Lutheran inferences of the music have lost the impact they once had. The Musical Offering can be compared to The Art of Fugue for its thorough handling of the theme. The quality of the music is diverse, heavenly, and inexhaustible. It stands as one of the finest pieces of chamber music from the Baroque era, and is a favorite among musicians who enjoy a challenge. Painting: "The Flute Concert of Sanssouci" by Menzel, 1852, depicts Frederick the Great playing the flute in his music room at Sanssouci.
Views: 149437 olla-vogala
Schema Exercise No. 1
This is an exercise in using musical patterns, or schema, as documented by Robert Gjerdingen in his book, "Music in the Galant Style." The piece is in binary form. The sections break down as follows: A: Do-Re-Mi 0:03 Prinner 0:06 Prinner - Modulating 0:10 Cadence 0:14 B: Fonte 0:32 Monte 0:38 Falling Sixths 0:45 Cadence 0:48 Realized with Session Strings Pro
Views: 354 Leslie Sanford
Fifth progressions in galant music
Fifth progressions in galant music
Views: 565 migjurado
ВСем, ПРИВЕТ! Сегодня видео в формате ЛУКБУК - я Вам покажу свои недавние образы на осень и зиму с юбками! Что я носила, и что я буду носить в ближайший месяц! А еще новинки моего бренда, о которых Вы так много спрашивали у меня в Инстаграм! {ВСЕ ПОЛЕЗНЫЕ ССЫЛКИ НИЖЕ ⬇️ } Мой бренд, наполненный любовью❗️ https://theothercolours.com World wide delivery❗️И ИНСТАГРАМ - https://www.instagram.com/the.other.colours/ Обязательно подписывайтесь за всеми нашими новостями и секретными промо-кодами :) Мой ИНСТАГРАМ, наполненный КРАСОТОЙ https://www.instagram.com/ellena_galant_girl/ Хэштег для ИНСТАГРАМ📍ГалантоМания - публикуйте свои образы под данным хэштегом, если они были созданы по моим советам и идеям! ➖➖➖➖➖➖➖➖➖➖ ❗️ ЮБКИИИИИИИ The Other Colours ❗️ Голубая http://bit.ly/blue-skirt- Фуксия http://bit.ly/fuchsia-skirt- Пастельно-розовая http://bit.ly/pale-pink-skirt- ➖➖➖➖➖➖➖➖➖➖ ССЫЛКИ НА ВСЕ ВЕЩИ ИЗ МОИХ ОБРАЗОВ: 1️⃣ ОБРАЗ С ГОЛУБОЙ ЮБКОЙ Черное пальто - http://bit.ly/BestBlackCoat (уже нет в наличии) Черные ботфорты Dorateymur https://rstyle.me/n/dbg4tmzuy6 Или такие же идеальные Stuart WEitzman http://fas.st/5Hjji6 со скидкой! Или они же на Lamoda http://fas.st/GOjxm И такие же ботфорты Stuart Weitzman на более высоком каблуке http://fas.st/DnSjX тоже со скидкой! Еще достойные варианты на Lamoda http://fas.st/yWQzs и http://fas.st/PkmuH1 и http://fas.st/RrB3i Фиолетовая сумка WANDLER - http://fas.st/FYvCV и http://fas.st/0WzQU Такая же чуть крупнее http://fas.st/1ZHk8 Такая же большая http://fas.st/vjrq1 Или более доступная версия большой удобной фиолетовой сумки http://fas.st/r57-b Голубой берет http://fas.st/wBucO Очки Celine https://rstyle.me/n/dbg4syzuy6 ДЖЕМПЕР с открытыми плечами Autumn Cashmere https://rstyle.me/n/c9ybmvzuy6 Или немного похожий с глубоким вырезом http://fas.st/7KDLl И недорогие варианты такого джемпера на ASOS http://fas.st/Gg8s7 и http://fas.st/b82_nd Часы Daniel Wellington - http://bit.ly/DW-watch Не забудьте использовать мой личный промо-код «GalantDW15» для скидки -15% на все на офиц сайте!) ➖➖➖➖➖➖➖➖➖➖ 2️⃣ ОБРАЗ С РОЗОВОЙ ЮБКОЙ И БЕЛЫМ ПАЛЬТО БЕЛОЕ ПАЛЬТО - https://www.instagram.com/wonder__gallery/ Или похожее http://fas.st/AP6z63 и кремовая похожая шубка http://fas.st/bmc8Um Белые сапоги ZARA https://go.zara/2JkprbQ Такие же кремовые &OtherStories &OtherStories https://rstyle.me/n/dau2vazuy6 ДЖЕМПЕР с открытыми плечами Autumn Cashmere https://rstyle.me/n/c9ybmvzuy6 Или немного похожий с глубоким вырезом http://fas.st/7KDLl И недорогие варианты такого же джемпера на ASOS http://fas.st/Gg8s7 и http://fas.st/b82_nd Сумка-ведерко CAFUNE https://rstyle.me/n/dbg826zuy6 Или такая же Staud http://fas.st/ghf_1g И культовая невероятно стильная Danse Lente http://fas.st/jS6TT Серый Шарф Acne Studios https://rstyle.me/~aHvJn Пепельно-фиолетовый берет - старая покупка! ➖➖➖➖➖➖➖➖➖➖ 3️⃣ ОБРАЗ С ЛЕОПАРДОВОЙ ЮБКОЙ СВИТШОТ коричневый http://fas.st/1tFf5 Леопардовое юбка Zara - уже нет в наличии Или точно такая же http://fas.st/9GbCHl Панамка шерстяная http://fas.st/9m-Kz Водолазка белая https://rstyle.me/n/dbhivdzuy6 Белые сапоги - ссылки выше! Очки Chloe - https://rstyle.me/n/dbhi7dzuy6 и https://rstyle.me/n/dbhi7pzuy6 и https://rstyle.me/n/dbhi7wzuy6 СУМКА Little Liffner (уже давно нет в наличии) Или очень похожая Theory https://rstyle.me/n/dbhjevzuy6 Или малышка Wandler в белом цвете http://fas.st/j4Vhz6 Похожая модель на Lamoda http://fas.st/VWjD_w ➖➖➖➖➖➖➖➖➖➖ 4️⃣ ОБРАЗ С БОРДОВОЙ ЮБКОЙ Юбка ZARA - https://go.zara/2DftWmZ Или похожие юбки: http://fas.st/e8bx-t и http://fas.st/b4Igi Розовый свитер - очень старая покупка. Или похожий http://fas.st/ZbzdV и http://fas.st/ZBCSD и http://fas.st/sO1ej ПОЯС https://rstyle.me/~aG6JE Очки Le Specs http://fas.st/RGi6C Красный шарф &OtherStories https://rstyle.me/n/dbhmg6zuy6 или похожий https://rstyle.me/n/dbhmf3zuy6 И недорогой вариант - http://fas.st/yI-frL  Ботфорты - ссылки ищите выше СУМКА красная Celine Classic Bag Или все та же любимая Wandler, но в красном цвете https://rstyle.me/n/dbhkiizuy6 Или похожего силуэта DKNY http://fas.st/LGGS7Z И лучшие похожие КРАСНЫЕ СУМКИ на Lamoda http://fas.st/f0NXT http://fas.st/fG2bE http://fas.st/fRnsI7 http://fas.st/WyLJBQ Розовая шапка - уже и не помню откуда она у меня! ➖➖➖➖➖➖➖➖➖➖ НА МНЕ В ВИДЕО: Кардиган H&M (Очень старая покупка) Или такой же http://fas.st/le4RT6 ПОЯС https://rstyle.me/~aG6JE Шелковый топ - intimissimi. Часы Daniel Wellington http://bit.ly/DW-ROSELYN Промо-код на скидку ищите выше ! Production Music courtesy of Epidemic Sound www.epidemicsound.com
Views: 54418 Ellena Galant
Variation on Theme by Monteverdi | First Variation - Polyphonic 1
The first variation contains parts inspired by polyphonic music from early Baroque to late Baroque/Galant style and early Classical Era with hint of my own harmonic perspective. Theme: Claudio Monteverdi - L'Orfeo. Sinfonia - Perch'a lo sdegno ed al dolor (Apollo): https://youtu.be/-GrnwzEhi_E?t=1h40m23s Playback: Eighty Eight VST Grand Piano A Complete Exported from Sibelius 7.5 Worked on M-Audio Keystation 49 ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___ Full score: All rights reserved
Views: 104 Bretislove S
Mozart - Sonata for Two Pianos in D, K. 448 [complete]
The Sonata for Two Pianos in D major, K. 448 is a piano work composed in 1781 by Wolfgang Amadeus Mozart, at 25 years of age. It is written in strict sonata-allegro form, with three movements. The sonata was composed for a performance he would give with fellow pianist Josephine von Aurnhammer. Mozart composed this in the galant style, with interlocking melodies and simultaneous cadences. This is one of his only formal compositions written exclusively for two pianos. This sonata was also used in the scientific study that tested the theory of the Mozart Effect, suggesting that classical music increases brain activity more positively than other kinds of music. The sonata is written in three movements, 1. Allegro con spirito 2. Andante and 3. Molto Allegro. The first movement begins in D major, and sets the tonal center with a strong introduction. The two pianos divide the main melody for the exposition, and when the theme is presented both play it simultaneously. Mozart spends little time in the development introducing a new theme unlike most sonata forms, and begins the recapitulation, repeating the first theme. The entire second movement is played Andante, in a very relaxed pace. The melody is played with both pianos, but there is no strong climax in this movement. It is written in a strict ABA form. Molto Allegro begins with a galloping theme. The cadences used in this movement are similar to those in Mozart's Rondo alla Turca. According to the British Epilepsy Organization, research has suggested that Mozart's K 448 can have the "Mozart effect", in that listening to the piano sonata improved spatial reasoning skills and reduce the number of seizures in people with epilepsy. Apart from another Mozart Concerto, K 488, only one other piece of music has been found to have a similar effect, a song by the Greek composer Yanni, entitled "Acroyali/Standing In Motion", which is featured on his album Yanni Live at the Acropolis. It was determined to have the "Mozart effect", by the Journal of the Royal Society of Medicine because it was similar to Mozart's K 448 in tempo, structure, melodic and harmonic consonance and predictability. ----------------------------------------------------------------------------- FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/ FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2 ALSO check out these cool sites: http://musopen.org/ and http://imslp.org/wiki/ ------------------------------------------------------------------------- NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome. ------------------------------------------------------------------------------- ENJOY!!!! :D
Views: 5262386 Am4d3usM0z4rt
Galant Schemata in Binary Form: Adagio in A major by Pescetti
Although the Venetian Giovanni Battista Pescetti (c. 1704–1766) never studied in Naples, he came to maturity at a time when Venice was absorbing the galant style through composers (such as Hasse, Vinci, and Porpora) and singers (such as Farinelli) who were leading advocates of the new style. Like Galuppi, another Venetian, Pescetti found the keyboard sonata a particularly congenial medium for the expression of galant values. The Adagio of Pescetti's Sonata in A major, one of a set of "Sonate per gravicembalo" published in London in 1739, elaborates a series of voice-leading schemata that must have been familiar to his audience from the Italian operas (by him and other young Italian composers) that were being performed in London in the 1730s. In the Prima parte (the first half of the binary structure): Romanesca, Prinner, Modulating Prinner (from tonic A major to dominant E major), Ascending 5–6 Sequence, Long Comma, Cadence. In the Seconda parte: Comma and Cadence in B minor, Comma in A major, Ascending 5–6 Sequence, Long Comma, Cadence. A similar list might easily serve as a script for the improvisation of a movement in binary form.
Views: 240 Settecentista
Galantis -  Peanut Butter Jelly (Official Video)
Galantis’ newest single ‘Love On Me’ available now via Big Beat Records! Spotify: http://smarturl.it/LoveOnMes iTunes: http://smarturl.it/LoveOnMei Apple Music: http://smarturl.it/LoveOnMea -- Galantis - Peanut Butter Jelly - Official Video Directed by Dano Cerny "Spread it like peanut butter jelly! Do it like I owe you some money!" Get this track off the debut album from Galantis - Pharmacy Get Galantis Merchandise: http://galantis.merchline.com Amazon Store: http://smarturl.it/GalantisStoreAmazon PHARMACY Available Now: iTunes: http://smarturl.it/GalantisPharmacy_iT Spotify: http://smarturl.it/S_Pharmacy Google Play: http://smarturl.it/GP_Pharmacy Amazon: http://smarturl.it/A_Pharmacy Watch their video for Peanut Butter Jelly: http://smarturl.it/GalantisPBJmvideo Follow Galantis: Website: http://smarturl.it/GalantisFb Facebook: http://smarturl.it/GalantisFb Twitter: http://smarturl.it/GalantisTw Instagram: http://smarturl.it/GalantisInsta SoundCloud: http://smarturl.it/GalantisSc Spotify: http://smarturl.it/GalantisPharmacy_Sp YouTube: http://youtube.com/wearegalantis Snapchat: WeAreGalantis Galantis on tour Tour dates - http://smarturl.it/GalantisTour Peanut Butter Jelly Sleepless nights at the Chateau Visualize it I'll give you something to do kush kush Wherever we go Visualize it I’ll give you something to do To get a wildfire burning Visualize it I'll give you something to do Ace high, I’m going all in Visualize it I’ll give you something to do Spread it like Peanut Butter Jelly Do it like I owe you some money Spread it like Peanut Butter Jelly Do it like I owe you some money… Money Money Money Money Money……. Spread it like Spread it like
Views: 111089854 Galantis
Galant Music
Views: 307 Lucas Fernandez
Galant Schemata in a Rondo by Dittersdorf: The Finale of the String Quartet No. 1 in D
On 18 August 1788, Carl Ditters von Dittersdorf wrote to the Viennese music publisher Artaria, offering a recently composed set of six string quartets. Dittersdorf, a skilful self-promoter as well as a talented and experienced composer, had another set of quartets in mind: the six by Mozart (the so-called Haydn Quartets) that Artaria had published in 1785: Sirs! For some time now, friends, connoisseurs and amateurs of music have been telling me that I should write six quartets. For a long time I could not make up my mind to do so, since I did not want to write quartets according to the common taste, and writing good quartets seemed too laborious to me. A friend (I can rightfully call him a true connoisseur of music since his chief idea is that music theory and practice must always go hand in hand and that in no work should one take precedence over the other) encouraged me for a long time until I undertook the task, and after a period of 13 to 14 months I had composed 6. This same friend—who admires Pleyel’s quartets for their trimness, pleasantness and expression, and Haydn’s most recent ones published by you, not only for these qualities but even more for their art and novelty—this same friend has heard my quartets not once, but several times already and each time (I really should not say this myself, since self-praise sounds poor) he says: Now not only Pleyel’s quartets but even Haydn’s are surpassed! And I may boldly say without blushing that they turned out better than I had at first believed they would. Now—I offer you the original manuscript or, more accurately, my own score of them for the same price you paid for Mozart’s and in addition for the first ten prints or copies, and I am certain that you will do better with mine than you did with Mozart’s (which, indeed, I and still greater theorists consider to deserve the hightest praise, but which because of their overwhelming and unrelenting artfulness are not to everyone’s taste) . . . New Mozart Documents: A Supplement to O. E. Deutsch’s Documentary Biography, ed. Cliff Eisen, London, 1991, p. 54 Artaria took the bait, and a few months later, on 31 January 1789, the publisher advertized in the Wiener Zeitung "v. Dittersdorf 6 ganz neue Quartetten für 2 Violin, Viola, und Violoncello" at a price of 4 Gulden. The music beautifully matches Robert Gjerdingen’s assessment (in Music in the Galant Style, p. 107): “The string quartets of Dittersdorf, though contemporaneous with the onset of the French Revolution, nonetheless suggest the continuity of tradition, the stability of the ancien régime, and the careful refinement of decades of galant musical craftsmanship.” The finale of the first of Dittersdorf’s “Artaria” quartets is a rondo in the form A (rondo theme) – B (episode 1) – A’ – C (episode 2) – A’’ – Coda. Dittersdorf used a wide range of galant schemata, giving each section of the movement different schematic content. The rondo theme is a period consisting of two sentences: the first antecedent and the second consequent. The first sentence has the normal eight measures; the second sentence is extended to twelve measures. Like many sentences, these begin with a presentation phrase in which the two basic ideas consist of the two stages of a voice-leading schema, in this case the Aprile. Perhaps the most remarkable feature of the rondo is the promiment appearance in both episodes of the Monte Romanesca—a schema that served composers as a musical means of expressing the sublime and of arousing sublime sensations in their listeners (see my paper “Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime,” https://www.academia.edu/32429345/Climbing_Monte_Romanesca_Eighteenth-Century_Composers_in_Search_of_the_Sublime Since the overall tone of this movement is clearly "scherzando”—indeed, we might hear the descending staccato parallel 6/3 chords in the coda as laughter—I suspect that Dittersdorf did not want players to take the sudden appearances of the Monte Romanesca seriously, but rather as parodies of the musical sublime.
Views: 409 Settecentista
Galant Schemata in Sonata Form: The First Movement of Abel's Keyboard Concerto in G
Carl Friedrich Abel (1723–1787) was one of the last great virtuosos on the viola da gamba and a talented composer of instrumental music. He spent the early part of his career at the court of Dresden. In 1759 he moved to London, where he developed close ties to J. C. Bach. Together they played an important role in London's musical life as composers and concert promoters. Abel's music is characterized by an intense and fruitful engagement with galant schemata. The first movement of his Keyboard Concerto in G, Op. 11 No. 5 (published in 1774) shows him deftly manipulating a wide range of patterns within what James Hepokoski and Warren Darcy call "the Type 5 Sonata" (the type of sonata form normally used in the opening fast movements of concertos). Schemata here include the Triadic Fall (as opening gambit), the Quiescenza, the Romanesca, the Triadic Ascent (in Ritornello 1 and Recapitulation only), the Meyer (in Solo 1 only), the Cudworth Cadence, the Passo Indietro, and the Monte (mostly in the Development). All these terms except the Triadic Fall were introduced by Robert Gjerdingen in his book "Music in the Galant Style." On the Triadic Fall see https://www.youtube.com/watch?v=qBXVrGUiLHk This performance is by Sabine Bauer (harpsichord); Michael Schneider conducts La Stagione Frankfurt. The cadenza is by Sabine Bauer. This video presents the keyboard part as published in 1774, which contains most of the orchestra's melodic and harmonic material. The orchestral parts (two violins and cello) are available on IMSLP.
Views: 612 Settecentista
Johan Roman Drottningholm Music (Selections Part 1)
Johan Helmich Roman (1694 -- 1758) was a late Baroque composer, often called "the father of Swedish music." During his lifetime, he has made two trips to mainland Europe and England, acquiring the latest musical tastes and styles of the time. He served as the deputy master and later principal master of the Swedish court orchestra and organized Sweden's first public concerts, something then only heard of only in London and Paris. He composed a variety of works in the late Baroque idiom, including symphonies, concertos, trio sonatas, and cantatas. His musical style is generally characterized as being in the transition from late Baroque to the galant,style. Handel is cited as one of Roman's most important influences. The Drottningholm Music, or Music for a Royal Wedding, was written for the wedding of Swedish crown prince Adolf Fredrik and his wife Lovisa Ulrika in 1744. It comprises 24 movements, varying in orchestration and mood. It was not meant to be played sequentially. 1. Allegro 2. Allegretto 2:13 3. Andante 4:03 4. Non troppo allegro 8:16 5. Andante 11:57 6. Poco allegro 13:25 Drottningholm Baroque Ensemble / Nils-Erik Sparf
Views: 24256 Deadlockcp
Top 10 lists to end the year: here is my top 10 list of the books on music and/or history and/or performance practice that I have purchased this year ! All fantastic books that mostly we haven't discussed here on the channel. Book reviews is something I would love to do more with you, it is a matter of planning, organizing and creating the right frame for it. So do not despair... :-)... ! Titles are below in the description box. ================================================= Become a Patron for Authentic Sound: ▶https://www.patreon.com/authenticsound ================================================= The 3 'YOUR SELECTION' CDs now available on: ▶http://www.authenticsound.be/yourselection ================================================= Join the mailinglist of Authentic Sound here▶https://authenticsound.leadpages.co/join/ ================================================ Here is my top10 list: 1. Stephen L. Clark : The letters of C.P.E.Bach ; Oxford 2 - 3 - 4. Bach Dokumente, part 1-3 : Bärenreiter 5. David Schulenberg: The Keyboard Music of J.S.Bach, Routledge 6. J.G.Walther: Musikalisches Lexicon, 1732 7. C.P.E.Bach, The Complete Works, Series VII: Versuch Über die wahre ARt das Clavier zu spielen, 3 parts ; The Packard Humanities Institute 8. C.P.E.Bach : Essay on the true art of playing keyboard instruments : William J. Mitchell, W.W.Norton & Company, 1949 9.Robert O. Gjerdingen : Music in the Galant Style, Oxford Uiversity Press, 2007 10. Brauchli: De Clavichordio : Proceedings, 11 volumes: http://www.musicaanticamagnano.com/shop/shop.html =============================================== Subscribe to Authentic Sound ▶https://www.youtube.com/c/authenticsound?sub_confirmation=1 All recordings of this channel indexed by composer▶http://authenticsound.be/youtube.html ============================================== Listen / Buy in CD quality ▶https://authenticsound.bandcamp.com/ (and support Authentic Sound) ============================================== Connect with me on: Facebook ▶https://www.facebook.com/Authentic-Sound-601076609974303/ Twitter ▶https://twitter.com/_WimWinters Website: ▶http://www.authenticsound.be
Views: 515 AuthenticSound
Моя первая покупка на ASOS. Вдохновение от Ellena Galant/Елены Галант 🛍№213 ali-shopaholic
↓▼ ССЫЛКИ ▼↓ Моя первая покупка на ASOS. Вдохновение от Ellena Galant/Елены Галант 🛍№213 ali-shopaholic Приветик! В этом видео-обзоре я покажу вам свои новые покупки с сайта ASOS и несколько готовых образов на сентябрь и осень/зиму 2018, в которых применила стилистические советы Елены Галант, что касается того, как можно сочетать цвета, чтобы осень не была скучной. А так же впервые за много лет я купила себе вещи в полоску, которые тоже отлично вписались в мой базовый гардероб на осень. Приятного просмотра! ✔ Ты можешь поддержать меня :: ПОДПИСАТЬСЯ на канал ▷ https://goo.gl/Wcr4FJ ◁, ПОДЕЛИТЬСЯ этим видео с друзьями и ПОСТАВИТЬ 👍. Спасибо! 💰 Кэшбэк который использую я ► MEGABONUS :: https://goo.gl/fP3gDb ► ePN :: http://ali.pub/1wdnqw ▬ ССЫЛКИ НА ТОВАРЫ ▬▬▬▬▬▬▬▬▬▬▬ ❗️ Иногда ссылки открываются только со второго раза ❗️ :: 1. ОБРАЗ :: ↬ 01:25 Джемпер в полоску 1.590 руб. = € 27 | Sweater :: http://tidd.ly/ddf9304e ↬ Чёрная рубашка/Блузка-боди 895 руб. = € 11,70 | Blouse Body :: https://gb9vn.app.goo.gl/n2Zc (моё в размере XXL) ↬ 04:48 Серьги 550 руб. = € 9 | Earrings :: http://tidd.ly/8d700bb ↬ COMIYA Серьги с АлиЭкспресс 145 руб. = € 1,85 | Statement Earring :: https://goo.gl/ZRH4mC (обратите пожалуйста внимание на то, что серьги с обоих сторон обклеены для защиты плёнкой и из-за этого не особо блестят. Если убрать плёнку они смотрятся намного лучше, чего я сначала не заметила ;))) ↬ Чёрная сумка (маленькая) 1.590 руб. = € 24 | Messenger Bag / Smiley Tote Bag :: (альтернативные ссылки) https://gb9vn.app.goo.gl/pKzG, https://gb9vn.app.goo.gl/JVsv ↬ 06:01 Плавки от купальника на ASOS 920 руб. = € 12 | Statement Earring:: http://tidd.ly/ec4b4ee1 ↬ Купальник Seafolly „Coast To Coast“ на EBAY 3.525 руб. + пересылка 995 руб. = € 46 + 13€ Shipping | Bikini :: https://goo.gl/gxQrFR :: 2. ОБРАЗ :: ↬ 10:09 Джемпер в полоску с рукавами 3/4 - 1.290 руб. = € 18 | Sweater :: http://tidd.ly/2c1a1591 ↬ Белые брюки 1.650 руб. = € 18 (альтернативная ссылка) | white pants :: https://goo.gl/fmFfj5 ↬ Белые сапоги-ботильоны 1.690 руб. = € 24 | Boots :: https://goo.gl/FNGa12 :: 3. ОБРАЗ :: ↬ Белый топ с воланом 570 руб. = € 7,70 | SHEIN Top :: http://fas.st/ZH3_w ↬ 12:40 Кюлоты в полоску 1.690 руб. = € 28 | culottes :: http://tidd.ly/b3f9264e :: 4. ОБРАЗ :: ↬ Подвеска/колье 560 руб. = € 7 | Collier/Necklaces :: https://gb9vn.app.goo.gl/yVod ↬ джемпер/Свитер 890 руб. = € 11 | Cashmere Sweater :: https://goo.gl/rKjYuJ ↬ 15:38 Сиреневые брюки 2.190 руб. = € 37 | Pants :: http://tidd.ly/79a687be ↬ Розовая сумка а ля Dior 900 руб. = €13 | Dior-Bag :: (у другого продавца) https://goo.gl/FXiDov :: 5. ОБРАЗ :: ↬ Трикотажное платье/длинный свитер 1.770 руб. = € 19,50 | knit dress :: https://goo.gl/NPvBdR ↬ 18:48 Пальто 4.390 руб. = € 63 | Coat :: http://tidd.ly/ef96f025 ↬ Сапоги-ботфорты из замша 1.620 руб. = € 22 | fashion boots :: https://goo.gl/jHGNRK Мои параметры :: 95см х 73см х 97см, плечи 39см, рост :: 162см, вес :: 58кг, стопа 24,5см 🛠 ЕСЛИ ОДНА ИЗ ССЫЛОК НЕ РАБОТАЕТ – напиши пожалуста об этом в комментариях и я это исправлю ▬ МОИ ДРУГИЕ ВИДЕО ▬▬▬▬▬▬▬▬▬▬▬▬ ▷ Приглашаю тебя посмотреть мои другие видео о покупках с АлиЭкспресс (они удобно разбиты по ПЛЕЙЛИСТам) ◁ ↬ МОДНЫЕ ОБРАЗЫ | СТИЛЬНЫЕ ЛУКИ | ОДЕЖДА С ПРИМЕРКОЙ :: https://goo.gl/rrtaot ↬ Сумки и аксессуары с АлиЭкспресс :: https://goo.gl/nExw3o ↬ Обувь с АлиЭкспресс :: https://goo.gl/q9pc54 ↬ Бижутерия с АлиЭкспресс :: https://goo.gl/j4tm7P ↬ Детская одежда с АлиЭкспресс :: https://goo.gl/YZRMVh ↬ Мужская одежда с АлиЭкспресс :: https://goo.gl/QSQAxt ↬ Красота и уход за собой :: https://goo.gl/7pFWeo ↬ Все видео :: https://goo.gl/181qvC ▬ О КАНАЛЕ ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ Привет! Меня зовут Алла, я АлиЭкспресс-блогер из Германии. Купить на алиэкспресс можно буквально всё и если разумно подойти к выбору товара, то можно совершать бюджетные покупки и при этом одеваться стильно и модно. Все цены на купленные мной товары с алиэкспресс в рублях и евро. ▬ Я В СОЦИАЛЬНЫХ СЕТЯХ ▬▬▬▬▬▬▬▬▬▬▬ ► ВКОНТАКТЕ @ali-shopaholic :: https://vk.com/club129004369 ► FACEBOOK @ali-shopaholic :: https://goo.gl/Asyvgz ► INSTAGRAM @aliexpress_shopaholic_ru :: https://goo.gl/7XHXQL ► iTAO @ali-shopaholic :: https://goo.gl/dnRmRu ▬ МУЗЫКА ИЗ ВИДЕО ▬▬▬▬▬▬▬▬▬▬▬▬▬▬ 🎧 Music-Track :: Asketa & Natan Chaim - Underneath My Skin (feat. Jessame) [https://www.youtube.com/watch?v=oG6D4Pvl7EM] #ГалантоМания #СтильныйАлиЭкспресс #покупкиASOS
ПУХОВИК! В этом видео говорим о самой комфортной и удобной верхней одежде на зиму, а именно о ПУХОВИКАХ! Какой наполнитель самый теплый, как подобрать пуховик к Вашей фигуре, где купить и с чем носить! {ВСЕ ПОЛЕЗНЫЕ ССЫЛКИ НИЖЕ ⬇️ } Мой бренд, наполненный любовью❗️ https://theothercolours.com World wide delivery❗️И ИНСТАГРАМ - https://www.instagram.com/the.other.colours/ Обязательно подписывайтесь за всеми нашими новостями и секретными промо-кодами :) Мой ИНСТАГРАМ, наполненный КРАСОТОЙ https://www.instagram.com/ellena_galant_girl/ Хэштег для ИНСТАГРАМ📍ГалантоМания - публикуйте свои образы под данным хэштегом, если они были созданы по моим советам и идеям! ПУХОВИК - КАК ВЫБРАТЬ, КАК ПОДОБРАТЬ К ВАШЕЙ ФИГУРЕ, ГДЕ КУПИТЬ | САМЫЕ МОДНЫЕ МОДЕЛИ ➖➖➖➖➖➖➖ ССЫЛКИ НА ПУХОВИКИ ИЗ ВИДЕО: Серый удлиненный пуховик http://fas.st/jnhC4 Темно-серый пуховик с разной шириной стегания http://fas.st/ML33ye и черный http://fas.st/1Gk2sH Черный с частым стеганием http://fas.st/AzcAj Светло-серый укороченный http://fas.st/ZZ1Iv7 ➖➖➖➖➖➖➖➖ ПО СИЛУЭТАМ: X-СИЛУЭТ: Удлиненный с поясом X-силуэта http://fas.st/72NZt и http://fas.st/kwy2lO и http://fas.st/npFK4 Или очень стильный пуховик http://fas.st/4B1W9 Симпатичный голубой http://fas.st/r5OYj Удлиненный темно-серый http://fas.st/CWinY В ФОРМЕ БОЧОНКА: Укороченный черный пуховик ADD http://fas.st/bN5_K Укороченные объемные пуховики H&M в разных цветах https://rstyle.me/n/dbbc3vzuy6 Удлиненный силуэта «бочонок» http://fas.st/vgt3S и http://fas.st/WEyAb Цвета хаки http://fas.st/J0F3AG Ярко-желтый http://fas.st/acncfZ Серый удлиненный http://fas.st/zquQ3 и http://fas.st/2tQnO ПРЯМЫЕ: Прямой укороченный КРАСНЫЙ http://fas.st/FsTDFM Прямой удлиненный http://fas.st/M_rG_ Прямой пуховик шоколадного цвета ADD http://fas.st/0ieLz Желтый http://fas.st/JT8QEp РАСКЛЕШЕННЫЕ: В форме Трапеции http://fas.st/Ed3Me и http://fas.st/wXHM4 Удлиненный для размеров + http://fas.st/4hE6g5 Для размеров 50+ пуховик http://fas.st/LfIooi ➖➖➖➖➖➖➖➖➖ ПУХОВИК ОДЕЯЛО Большой теплый черный http://fas.st/jWIyd_ Цвета ХАКИ http://fas.st/iZZXhS Бордовый http://fas.st/quEWsN КРАСНЫЙ http://fas.st/vP_d5A и http://fas.st/gAa_Ub Супер стильный Красный http://fas.st/IrdKs Такой же синий http://fas.st/Zo3qX Бордовый http://fas.st/p8kE4 Темно-синий в клетку http://fas.st/KamIV Темно-зеленый http://fas.st/Ng0IME (хотя судя по фото не такой уж и теплый) Супер-теплая The North Face http://fas.st/3C0yV Обьемный теплый с капюшоном H&M https://rstyle.me/n/dbbc4zzuy6 И Еще H&M https://rstyle.me/n/dbbc64zuy6 Бордовый http://fas.st/IrVw8X Объемный черный блестящий http://fas.st/GypZ8q Белый https://rstyle.me/n/dbbd8tzuy6 ИЛИ ПРОСТО ОБЬЕМНЫЙ ПУХОВИК КРАСНЫЙ с капюшоном http://fas.st/EPe3gU и http://fas.st/LQg0uP Качественный Weekend by Max Mara http://fas.st/Pidvv Черный объемный по очень приятной цене https://rstyle.me/n/dbbd5yzuy6 Красный укороченный https://rstyle.me/n/dbbd7xzuy6 ➖➖➖➖➖➖➖ ИНТЕРЕСНЫЕ ПРИНТЫ: КЛЕТКА: Пуховик в КЛЕТКУ http://fas.st/lRdlDg Пуховик в клетку серую http://fas.st/i3TpQ Крутой пуховик Uterque http://bit.ly/2D9PyB5 Недорогой укороченный Pull&Bear https://rstyle.me/n/dbbdxdzuy6 В ГОРОШЕК http://fas.st/LCkY73 Куртка в Цветочный принт http://fas.st/yxwMA6 Еще одна ДВУСТОРОННЯЯ в цветочный принт http://fas.st/lQghTY Укороченная куртка в цветочный принт http://fas.st/YDjRCD ДВУСТОРОННИЕ: Хаки + леопардовый принт http://fas.st/npFK4 Красный + черный http://fas.st/QyjHk или https://rstyle.me/n/dba7axzuy6 Черный + бежевый http://fas.st/Ub3qV ШЕРСТЯНОЕ ПОКРЫТИЕ Самые лучшие варианты на 12Storeez http://fas.st/GM3hXy и http://fas.st/VTbD6 и http://fas.st/vE8BBL и http://fas.st/wYI82m БАРХАТ: Пуховик БАРХАТНЫЙ черный http://fas.st/oMJKTR Укороченный БАРХАТНЫЙ шоколадный http://fas.st/N_jX4 И такой же ЧЕРНЫЙ http://fas.st/wacNDJ Изумрудный Daisy Street укороченный http://fas.st/idgHRz И красивый оттенок темно-зеленого http://fas.st/N-g5d СЕРЫЙ http://fas.st/NZcKCl КРАСНЫЙ http://fas.st/N4ugK Zara https://go.zara/2D6RwlY Бархатные идеальные пуховички от Moncler http://fas.st/o0-7Zb КОЖА: Карамельный пуховик на искусственной коже http://fas.st/gpMWF Черный http://fas.st/gKkic и http://fas.st/5h9XP Бордовый http://fas.st/YtouI ➖➖➖➖➖➖➖➖ ЛУЧШИЕ ПРОИЗВОДИТЕЛИ: CONSO WEAR http://fas.st/ATqOhX FINN FLARE http://fas.st/HXA3L SAVAGE http://fas.st/RrnpP BULMER http://fas.st/lR4Qv The NORTH FACE http://fas.st/qYP-70 ADD DOWN http://fas.st/Mk8Pce SAVE THE DUCK http://fas.st/619WYt DIXIE COAT http://fas.st/StHGrq UNIQLO https://rstyle.me/n/dba957zuy6 12STOREEZ http://fas.st/LbbgX Katsurina http://bit.ly/2D7LWja ➖➖➖ На мне в видео: Шерстяной топ с открытыми плечами Autumn Cashmere - https://rstyle.me/n/dbc3ctzuy6 Именно моего топа уже нет в наличии Юбка моего бренда https://theothercolours.com - СТАРТ продаж этой юбки ждите в ближайший понедельник! Production Music courtesy of Epidemic Sound www.epidemicsound.com
Views: 94521 Ellena Galant
Sinfonía en Sol mayor- IGNACIO JERUSALEM Y STELLA~Orchestral Galant Music in the New Spain (S.XVIII)
"Sinfonía en Sol mayor" (ca. 1760) de IGNACIO JERUSALEM Y STELLA (1706-1769). Hasta la fecha se conocen tres sinfonías compuestas por Ignacio Jerusalem y Stella: -Una Sinfonía en Sol mayor para dos violines y bajo, disponible en el Archivo Histórico de la ciudad de Durango (en adelante AHCD), Dgo. Ms. Mus. 266. -Una sinfonía en Sol mayor para dos violines, bajo y dos cornos da caccia disponible en AHCD, Dgo. Ms. Mus. 009. -Una sinfonía en Re mayor que se encuentra en dos fuentes: Una de ellas en AHCD, Dgo. Ms. Mus. 257 para dos violines (carece de la parte de violín segundo), bajo y dos cornos; la otra se encuentra en el Archivo del Cabildo Catedral Metropolitano de México (en adelante ACCMM), Papeles de música, A009611 para dos violines, bajo, dos cornos y dos clarinos. El ejemplar presente en la catedral de México es una sinfonía que preludia la Loa "Al combate" para S, A, T, B b,2vl, 2cor, 2clno y timp; el ejemplar que se encuentra en la catedral de Durango no presenta ninguna instrucción que indique que alguna otra obra continúa al finalizar esta sinfonía. A este ejemplar le falta la parte de vl2, su portada no indica el uso de clarinos (trompetas). Estos dos ejemplares permiten ver la variedad de usos que se daba a este tipo de obras. Una sinfonía podía ser interpretada dentro de la iglesia como interludio en la misa o escuchada en el teatro como una obra instrumental autónoma. Una Loa podía ser interpretada en el teatro como parte de las celebraciones civiles de la ciudad tales como la entrada de un Virrey. Las sinfonías de Ignacio Jerusalem fueron escritas en estilo galante para cumplir con más de una función social y no muestran significativas diferencias técnicas o estilísticas con las compuestas en Europa durante esa misma época. La construcción de sus motivos y frases, la forma en la que aquellos son introducidos, modificados y usados es consistente con las prácticas comunes de los compositores europeos contemporáneos a Jerusalem. Fueron construidas con base en los esquemas tradicionales y típicos del Galante. Las sinfonías de Jerusalem pudieron ser tocadas en más de un recinto y con más de un propósito, ya sea como una obra instrumental independiente (música absoluta), como obertura a una obra más grande (cómo en el caso de la Loa Al combate), para iniciar alguna ópera o representación teatral o como interludio dentro de una misa. Obra extraída del álbum: AL COMBATE. Rediscovered Galant Music from Eighteenth-Century Mexico. Interpretan: Chicago Arts Orchestra. Dirige: Javier José Mendoza. Navona Records, Fine Music. Música Virreinal, Música Colonial.
Views: 13737 Enrique Guerrero
Mattheson "Der Brauchbare Virtuoso" Sonata No.2 in G major
Johann Mattheson (1681-1764) was one of the most important German music theorists and critics of the 18th century. He was a big proponent of the later galant style and dramatic style in vocal music. His opus 7 titled "The Usable Virtuoso" includes 12 chamber sonatas written in the Corellian manner. Sonata No.2 in G major A Tempo - Allegro 1:58 - Corrente con Discrezione 4:54 - Giga 6:27 Trio Corelli Elisabeth Schneider / violin Viggo Mangor / archlute Ulrik Spang-Hanssen / organ
Views: 10678 Deadlockcp
Musical Form - Episode#2
For more, go to www.drewsical.com This video is in two parts. The first part includes a discussion of the following: 1) The galant style 2) The traditional definition of sonata form 3) The problem with a theory of form that is linked with style The second part of this episode (posted as a video response) discusses three basic theme-types (the sentence, the period, and the small ternary) and introduces some of the terminology used by William Caplin in his book, "Classical Form".
Views: 6393 Andrew Schartmann
Classical Piano Improvisation in A - Jon Salamon
Live recording of my senior recital at NYU. Free improvisation in the galant style. 4/12/14
Views: 179 j.a.s.music
The Aprile
What Robert Gjerdingen calls the Aprile is a schema (earlier elucidated by his mentor Leonard Meyer) defined primarily by a treble line that traces the scale degrees 1 – 7 – 2 – 1. "The Aprile schema . . . is closely associated with the Meyer. Both share the same pair of initial events. But whereas the Meyer closes with a 4 – 3 dyad, the Aprile closes a third lower with 2 – 1" (Music in the Galant Style, p. 122). Like the Meyer, the Aprile is a "presentation schema": composers used it often in the opening "presentation phrase" of a sentence, where its dyads correspond to the phrase's two "basic ideas." Several of the examples here consist of sentences or parts of sentences. This video consists of some examples of the Aprile in music of the second half of the eighteenth century, by Mozart, Haydn, Gluck, Joseph Schuster, Carl Friedrich Abel, and Carl Dittersdorf. For more on the Aprile see http://openmusictheory.com/schemataSummary.html For a discussion of the Aprile with further examples see Vasili Byros, "Topics and Harmonic Schemata: A Case from Beethoven," in The Oxford Handbook of Topic Theory, 381–82. Among many other examples of the Aprile is the A-major sentence in Mozart's Ave verum corpus: https://youtu.be/Af0x8EsiR7Q?t=42s and the main theme of the finale of Beethoven's Sinfonia eroica: https://youtu.be/IJ1xqShTQCc?t=1m54s
Views: 219 Settecentista
The Harmonic Periods of William Jones
The Harmonic Periods of William Jones: Voice-Leading Patterns Compiled in the 1780s by a devotee of “Ancient Music” All the musical examples in this video are from William Jones’s A Treatise on the Art of Music (1784). Dedicated to the Directors of the Concerts of Antient Music, the book bears witness to the author’s admiration for the music of Purcell, Corelli, Handel, Geminiani, and Pergolesi. When he wrote of “our greatest masters,” Jones meant “those whom we now call antient; for I find less to my purpose in the moderns; who are too apt to throw their Air into a single part; one part taking it up when another has laid it down; while all the rest are servile accompaniments, and the Base [sic] but little more than a divided Drone. To satisfy the present Appetite for noise and tumult, arising from a sort of convulsive agitation of the mind, analogous to the dance of St. Vitus in the limbs, one of the parts has a rapid motion given to it (no matter which) consisting frequently in a repetition of the same note. Thus their Harmonies, instead by being properly conducted, and melting into one another, are chopped in pieces; and the motion of repetition is a poor substitute for learned contrivance and correspondent melody in the different parts; which was denoted by former artists under the word Mixture. Some Masters have ventured to predict, that this Style will soon be out of fashion; but that is more than I can foresee: light people will always be best pleased with light music; and little minds will admire little things” (p. 43). Jones’s chapter 4 is entitled “Of Harmonic Periods, Diatonic and Chromatic.” It begins: “By an Harmonic Period I understand a series or chain of chords, connected together, and depending on one another, till they come to some kind of close.” At the end of the chapter Jones defines Periods, in remarkably modern terms, as “Topics, that is . . . the Common-places, Predicaments, and Figures, of Music.” Most of Jones’s Harmonic Periods correspond to, or make use of, voice-leading patterns (schemata) elucidated by Robert Gjerdingen, Giorgio Sanguinetti, and others: they include the Circle of Fifths, the Monte Romanesca, the Pachelbel Romanesca, the Corelli Leapfrog, the Ascending and Descending 7-6 Sequences, the Morte, the Cadenza doppia, the Passo indietro, and the Prinner. As one might expect in the work of such a conservative musician, some of the more modern schemata, including the Galant Romanesca (with a bass tracing the scale degrees 1 – 7 – 6 – 3), changing note patterns such as the Meyer and Aprile, the Quiescenza, and Dean Sutcliffe’s Overture are absent from Jones’s compilation. In the chapter’s concluding remarks, Jones articulates with unusual clarity attitudes that Gjerdingen and other twenty-first century theorists have attributed to eighteenth-century musicians: In the foregoing Periods, I have endeavoured to exhibit the most considerable parts of what may be called the Materia Musica, which experience and fancy are to compound and apply in many different ways. By more changes and inversions, and by looking farther into the works of some of the best Authors, I might have multiplied these examples; but when the Learner has studied what I have here given, he will certainly be able to do this and much more himself. Out of these Periods he will construct others by compounding them together at pleasure, when use has made it easy to apply the rules of Inversion and Modulation: and when the fancy is furnished with some variety of Air and Measure, the Learner becomes an Extempore-Performer, who will find his stores inexhaustible, if he has laid in a proper foundation.
Views: 197 Settecentista
Mattheson "Der Brauchbare Virtuoso" Sonata No.11 in D minor
Johann Mattheson (1681-1764) was one of the most important German music theorists and critics of the 18th century. He was a big proponent of the later galant style and dramatic style in vocal music. His opus 7 titled "The Usable Virtuoso" includes 12 chamber sonatas written in the Corellian manner. Sonata No.11 in D minor Adagio - Giga 4:09 - Adagio 5:21- Allegro 6:26 Trio Corelli Elisabeth Schneider / violin Viggo Mangor / archlute Ulrik Spang-Hanssen / organ
Views: 945 Deadlockcp
242: Sam Suggs on Music Cognition, Jamming in Bars, and the Elements of Execution
Sam Suggs calls himself an omnivorous musician. I love this tagline. I feel like I’m eating at a fantastic fusion restaurant when I hear Sam’s music.  I'm not expecting these flavors to work, but they are so good together. First, he takes a little 1750s galant style. Next, he adds a dash of Verdi. He finally tops it off with—I kid you not—Skrillex and Daft Punk. Then he marches over to a bar and gives it a battle test in front of the patrons. Best of all, he does this without a looping pedal in sight. Learn more about how he works his magic in this interview. Sam is also kicking off the upcoming International Society of Bassists convention.  We dig into what he’s planning in our chat, and I know you’ll love what he’s got in the works.   Resources we covered in this interview: Sam’s website Sam’s YouTube channel Study with Sam at James Madison University Music in the Galant Style by Robert Jernigan (book recommendation)
Views: 694 Jason Heath
Galant Style - Lille (Thème de Gangnam Style)
Parodie de GANGNAM STYLE à la Lilloise. Musique : PSY - Gangnam Style, PSY (feat HYUNA) - Gangnam Style, Parodie Gangnam Style (Hitler Version). Chaque année pour le nouvel an, garçons et filles de notre groupe d'amis s'affrontent pour faire une chorégraphie d'enfer. Les garçons, piètres danseurs, ont décidé cette année de piéger les filles pour leur montrer leur chorégraphie... Un grand merci à la ville de Lille, et aux vigiles des différents établissements qui nous ont autorisé à filmer (rapidement) nos petits délires. Et enfin, un grand merci à notre caméra-woman !
A cheery, chirpy organ improvisation by Sietze de Vries
Sietze de Vries improvises in the 'galant' style on the 1982 organ by Mense Ruiter in the chancel of the Petruskerk, Leens, north east Netherlands. Utterly charming.
Views: 23000 golgiapp1
Hakan Akkus - I Can't Be (Original Mix)(Video Edit) + Lyrics
Hakan Akkus - I Can't Be (Original Mix)(Video Edit) Follow Hakan Akkus https://soundcloud.com/hakanakkusoffi... https://www.facebook.com/HakanAkkusOf... https://www.instagram.com/HakanAkkusO... Follow Miss DeepShine https://www.youtube.com/channel/UC8KCGnqoW1SXM00dwEHCPIw https://plus.google.com/103723242349777013143 https://www.facebook.com/MissDeepShine/ https://soundcloud.com/miss-deepshine https://www.youtube.com/channel/UCIdAhXsejWilJRvY9LsFjug Footage Used https://vimeo.com/124118328 Follow Matti Haapoja https://vimeo.com/mattih L Y R I C S ..................... And all of these are kind to me, I can't be everywhere. I draw my fist, into the Earth. Reached your core, and grabbed it whole tight. ● You Are Exactly Where You Need To Be ● Subscribe for daily uploads!! :) This channel is created to promote and support magnificent producers' and labels' releases. Send your song or video that does not have the Copyright: [email protected] If any producer, label or copyright owner is unhappy about any upload, please contact us via any of our social networks, and the content will be removed immediately. Enjoy the Great Musics from Great Artists.. M U S I C · I S · L I F E
Views: 34595968 Miss DeepShine
Galant - Farah's Way From Here [MV]
Music video for Galant's single "Farah's Way From Here" from Inmyroom Mixtape Vol. 2 (2013), released by Inmyroom Records. Available for free download at http://inmyroom.us/mixtapevol2/ Music, drawing and video by Galant. Drawn using Graffi on Facebook, on June, 2010. Music mixed and mastered by Adhit Android, at Infinite Labs, October, 2013 Dedicated to Farah. Audio streaming and more info at https://soundcloud.com/anotherextraordinary/farahs-way-from-here
The Triadic Ascent
In his analysis of an Andante by J. C. Bach, Robert Gjerdingen refers in passing to a schema that he calls the Triadic Ascent, in which a musical idea is presented at two or more adjacent steps of an ascending tonic triad (see Music in the Galant Style, pp. 266–71). The Triadic Ascent most commonly features an idea built on scale degree 1 followed by the same idea on scale degree 3. Canonic imitation is typical, with the two canonic parts in parallel thirds. The Triadic Ascent sometimes unfolds over a tonic pedal, and sometimes over a cadential progression such as the Romanesca (as in Monteverdi's "Zefiro torna") and I-IV-V-I (as in "Dove sono" in Mozart's Figaro). The Do-Re-Mi often serves as the material repeated in a Triadic Ascent. In such cases the Triadic Ascent extends the Do-Re-Mi into a longer scalar ascent (Do-Re-Mi repeated up a third becomes Mi-Fa-Sol). One of the ancestors of the Triadic Ascent was the military and ceremonial trumpet fanfare, which often involved a line rising through the trumpet’s harmonic series. Triadic fanfares were already being incorporated into many kinds of music, including opera, in the seventeenth century; a well known example is Giuseppe Torelli’s Sinfonia in C, G. 33. As late as 1791 Mozart used a trumpet fanfare in the form of a Triadic Ascent to convey imperial pomp in his coronation opera La clemenza di Tito (listen to the march in act 1). I suspect that the Triadic Ascent in general, even when not so explicitly identified with the trumpet fanfare as it is this passage by Mozart, conveyed to eighteenth-century audiences something of the festivity, splendor, and majesty associated with the trumpet fanfare. This compilation of examples of the Triadic Ascent shows that composers of the second half of the eighteenth century, including Mozart, Haydn, Leopold Kozeluch, Johann Stamitz, Vanhal, Paisiello, Martín y Soler, J. C. Bach, and Georg Benda, used this schema to generate a large amount of melodic material.
Views: 329 Settecentista
The Monte Romanesca
A compilation of examples of the Monte Romanesca, a voice-leading schema identified and named by Robert Gjerdingen in his book "Music in the Galant Style." Composers include Corelli, Haydn, Mozart, Handel, J. S. Bach, C. P. E. Bach, Johann Philipp Krieger, Salieri, Porpora, and Domenico Zipoli. Most of these passages (and many others) are presented in musical notation and discussed in my article "Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime": https://www.academia.edu/32429345/Climbing_Monte_Romanesca_Eighteenth-Century_Composers_in_Search_of_the_Sublime One of Mozart's last uses of the Monte Romanesca was in the Adagio and Rondo for Glass Harmonica, K. 617: https://youtu.be/CxsPTgSDuh4?t=11m41s Other examples of the Monte Romanesca: Nicola Porpora, Sinfonia (Trio Sonata) in G minor, Op. 2, No. 3, Allegro: https://www.youtube.com/watch?v=ktGIXG-Bhsk
Views: 988 Settecentista
Johan Roman Drottningholm Music (Selections Part 2)
Johan Helmich Roman (1694 -- 1758) was a late Baroque composer, often called "the father of Swedish music." During his lifetime, he has made two trips to mainland Europe and England, acquiring the latest musical tastes and styles of the time. He served as the deputy master and later principal master of the Swedish court orchestra and organized Sweden's first public concerts, something then only heard of only in London and Paris. He composed a variety of works in the late Baroque idiom, including symphonies, concertos, trio sonatas, and cantatas. His musical style is generally characterized as being in the transition from late Baroque to the galant,style. Handel is cited as one of Roman's most important influences. The Drottningholm Music, or Music for a Royal Wedding, was written for the wedding of Swedish crown prince Adolf Fredrik and his wife Lovisa Ulrika in 1744. It comprises 24 movements, varying in orchestration and mood. It was not meant to be played sequentially. 17. (Allegretto) 18. (Andante) 1:14 19. Allegro molto 3:06 20. Allegro 4:00 21. Allegro 6:21 22. Allegro 7:48 23. Vivace 11:20 24. Allegro 12:18 Drottningholm Baroque Ensemble / Nils-Erik Sparf
Views: 5118 Deadlockcp
Mitsubishi Galant VR 4 Обзор
Вконтакт: https://vk.com/club138493471 Drive2: https://www.drive2.ru/r/mitsubishi/288230376151997030/ Song: Culture Code - Make Me Move (feat. Karra) [NCS Release] Music provided by NoCopyrightSounds. Video Link: https://youtu.be/vBGiFtb8Rpw Download: http://NCS.lnk.to/MakeMeMove Video Link: https://www.youtube.com/watch?v=lSqnqSSXTUI
Views: 5515 MechaniG

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